5 easy steps to convert an acoustic drum to an electronic drum


Are you still bothered about any neighbors’ complaints on noise caused while practicing on your traditional kit? XM Evolution Mesh Head Drum Skin gives you total solution!

XM eDrum AH-9S Evolution Meshhead Drum Skin

Components of XM AH-9S Evolution Meshhead Drum Skin and steps to convert traditional drum set to professional digital drum kit.

A great way to replace your acoustic drumheads with XM innovative Evolution Mesh Head Drum Skins and exchange your acoustic set into electronic drum kit in merely 30 minutes, an efficient way to lower drumming sound and save your spending on another digital kit at the same time.

demo video of AH-9S evolution mesh drum head skin

You will learn how to convert acoustic drum to electronic drum and backward from this video instruction.

By XM eDrum

The Virtues of Practising with an XML Learning Machine


Possessing a XM Edrum Learning Machine is just like being tutored by a drumming master at home, there are several advantages as below:

  1. The ultimate percussion tutor for aspiring drummers who wish to practice drumming on their own.
  2. The machine objectively scores your drumming after each lesson, helping you to discover any mistakes you’ve made, so you can eventually become a precision player.
  3. There are over 83 thousand possible variations and combinations of drumming notation for you to practice.
  4. This device was developed with the idea of teaching all levels of drumming.
  5. User-friendly graphic interface for easy operation.
  6. The machine doubles as a professional quality metronome.
  7. It can be used in conjunction with any brand’s Edrum module if necessary. (not 100% match

You can find XML Learning Machine instruction video on www.xm-world.com, search “XML” for more information.

By XM eDrum

XML mesh pad

Mesh pad gives you more realistic bounce; you can also connect XML to XM Snare Drum or Bass Drum for practice

XML with sound engine

Connected with sound module makes it feasible to practice on drums or cymbals individually

The Necessity for Professional eDrum speakers


Speaker is the key to determine whether eDrum sounds good or bad. An eDrum speaker system is different from what other electronic musical instruments used because cymbals produce high frequencies while kick drums produce low and thick sounds, two distinctive sounds can’t be perfectly presented if not using eDrum speakers. Moreover, inappropriate speakers can’t possibly work well with high-end eDrum kits and since speakers play such an important role in the field of digital drums, the selection of speakers does matter!

XMP8 Foldback Speaker Introduction

  1. Drum mono input (DRUMS): You can individually adjust drum volume, high frequency, or left and right channels.
  2. Two mono inputs (LINE IN): you can plug in electric guitar, keyboard …, etc. and adjust volume, high or low frequency, or left and right channels
  3. Two mono outputs (LINE OUT): you can trigger other speakers simultaneously via cables connected; to mixer or recording device is another option.
  4. Built-in amplifiers are applicable in small concert, church worship, conference…, etc.
  5. XMP8 Foldback Speaker with 100W output power is suitable for events up to 50 people
  6. XMP12 Foldback Speaker with 150W output power is suitable for events up to 80 people
  7. It can also be used as a PA monitor speakers or general electronic musical instrument speakers
  8. 115V and 230V power supply can be used in any countries
  9. Adjust angles at ease or fix the speaker on standard sized stand
  10. Compact and with good quality full-range sounds, produce strong low-frequency and clear high-frequency sounds.

XM P12 Foldback Speaker with 150W which is suitable for events up to 80 people.

By XM eDrum

Interview with Dave Hicks of rock band ‘The Eyeball Kicks’ about the XM Classy Series C-Plus-9SR Edrum kit (Part 2)


(Continued from Part 1)
14. XM: What did you think of the loudness and clarity of the foldback speaker?

Dave Hicks (The Eyeball Kicks): Put simply, it sounded great.

15. XM: There is 128Mb storage in the module. Do you think this is enough for you?

Dave Hicks: I can understand why there is a smaller data allowance. Simple software and less memory make for a more responsive experience with no lag between hit and sound. You create your bank of sounds in your laptop and load them up when you need them. It works for me.

16.XM: You get Midi-in and Midi-out, essentially a MIDI interface. Your thoughts?

Dave Hicks: At the moment it only works with a Windows-based PC, and not on a Mac, which is what I use. More and more people around the world are using Macs now, so I think XM needs to make this happen for us too.

17. XM: There is a maximum of 14 inputs, with auxiliaries for extra drums or cymbals. Is this enough?

Dave Hicks: This is heaps!

18. XM: The metronome function does time signatures of 1/4 up to 6/4. You can adjust the tempo and the beat. Your thoughts?

Dave Hicks: This is very cool. It’s good for working on your timing. Drummers should always keep working on their timing. It’s also great for learning odd time meters – for advanced drummers.

19. XM: The Tempo beats run from 30bpm to 250bpm. What do you think?

Dave Hicks: It’s good for most drummers, but maybe not all heavy metal. I’m not sure.

20. XM: What do you think of the touchscreen interface?

Dave Hicks: It’s very easy to use. After 15 minutes I fully understood how it worked.

21. XM: What do you think of the XM Drum Recorder program that automatically shows you the beat you played in notation form?

Dave Hicks: Wild!

Drummer Dave Hicks of Melbourne Australian band 'The Eyeball Kicks'

Drummer Dave Hicks of Melbourne Australian band ‘The Eyeball Kicks’

22. XM: You said you’d like to play along to your own drum loops. These loops can play for up to 6 seconds. Is that enough for you?

Dave Hicks: I’d like it to be longer – 30 seconds would be great. For example, I’d like to have software that could close the rest of the Edrum kit down, so it wouldn’t affect memory or responsiveness when I played a 30 second Nelson Mandela speech over an entire intro to a song.

23. XM: You can change sounds on the fly with the highly intuitive interface, which shows a picture of the drum kit configuration you’ve programmed. All you have to do is hit the drum 3 times to rotate the drum function. How was it?

Dave Hicks: Cool, once you get used to it. Is there a ‘Master Save’ to change the whole kit you’re on? Of course there would be. I’d like it if you were able to change between entire kits you created the sounds for, as well as between standard kits.

24. What do you think of the XM Rock Steady Bass Drum System and its special brace bar that holds the bass drum?

Dave Hicks: It never moves. Let me tell you, the Roland one I’ve used moves, and the pin scratches the floor! I scratched our tiles at home, because I forgot to put down a piece of carpet. This XM bass drum is safe. It feels very secure.

25. XM We let you try out the XM noise cancelling headphones. What did you think of them?

Dave Hicks: They make drumming a very intimate experience. It’s just you and the drums and a candlelit dinner. It doesn’t matter if the TV is on, or if the kids are fighting outside; you can still be in your own world.

26. What do you think of the XM Learning machine?

Dave Hicks: I didn’t get a chance to use it, but it sounds very cool.

27. We know this doesn’t relate to the Classy Series C-Plus-9SR Edrum kit you played, but you sounded very excited when you heard about the XM Evolution Meshhead Edrum Skin. What do you think of the concept?

Dave Hicks: It sounds like a secret Edrum – you can keep your own acoustic kit. The skin is easy to change over, as there’s no screwdriver or alterations needed. Digital drums normally appeal to non-live drumming scenarios, but now you can easily crossover. There’s also no stigma, as your kit looks the same as everyone else’s. It’s great for people who already have kits and don’t want a second one. I’d mix acoustic and digital sounds, for example, use sensitivity of drum hits to trigger the second sound. You could have a bass guitar sound together with your acoustic bass drum. Awesome!

By Jesse S. Somer, XM eDrum

If you haven’t read the ‘Interview with Dave Hicks of rock band ‘The Eyeball Kicks’ about the XM Classy Series C-Plus-9SR Edrum kit (Part 1)’, click here.

Interview with Dave Hicks of rock band ‘The Eyeball Kicks’ about the XM Classy Series C-Plus-9SR Edrum kit (Part 1)


1. XM: Hi Dave, first of all, have you played any Edrum kits before? If so, which brands or models were they?

Dave Hicks (The Eyeball Kicks): Yes, I’ve played a rather old Roland TD-3 V-drum kit with rubber pads quite a bit, but I also play newer Edrum kits whenever I visit music shops.

2. XM: How did the XM Classy Series C-Plus-9SR Edrum kit compare with the Roland one in terms of look, feel and sound?

Dave Hicks: Look, they really are incomparable. The XM kit’s drumhead skins were made of a new type of mesh; it’s the closest thing I’ve played to a real drum. The sensitive feedback in your hand was just like a real kit, so you could use more sensitivity in your playing. Rubber pads and Roland V-drums just don’t give you as much. As far as looks go, these are great looking drums, and the XM cables look really pro and slick. The interface was very easy to use. It took about 15 minutes to figure it out without any instruction. It’s very intuitive.

3. XM: What do you think about this kit’s sensitivity? There are 99 levels.

Dave Hicks: The fact that you can program it so harder hits trigger second sounds is awesome. You just have to hit the drum harder – you don’t have to adjust any settings. I’ve never seen anything like it. Harder hits also had richer tones, and not only a change in volume. This would be very useful for playing different styles of music in a single set. You could play jazz and turn the sensitivity down, and then you could play some heavy rock and turn it right up. I liked the fact that even if you hit the drumhead softly you could program it to sound loud. The adjustment in volume would also help a lot when practicing at home.

4. XM: You can adjust the actual tuning of your cymbals and drums. Is this useful?

Dave Hicks: Yeah, more control over the surface means you can emulate a live kit, just like you’d adjust an acoustic kit’s skin, nuts etc. It’s not just emulation that is important here. You can truly make a unique sound for yourself, rather than sticking to using stock settings. All drummers want their own sound, and you’ll have it here because you can control all of the parameters.

5. XM: This XM Classy Series Edrum kit comes with 8 built-in drum kit sounds you can mix and match for each drum’s individual triggers. What are your thoughts on this?

Dave Hicks: There are not as many kits as with many other brands, but once you hook the module up to a PC you can have any sound you want. I love triggering non-drum sampled sounds. Australia already supports live drums at home, as we have sound proofed garages and larger living spaces. For me, I’m excited about the digital sampling element in Edrums.

6. XM: This kit can work together with programs like Easy Drummer, Pro Tools and Ableton, via a USB and laptop. What do think about this?

Dave Hicks: This is paramount because you can then have total control over the sampling capabilities.

XM Classy Series C-PLUS-9SR electronic drum kit

The XM Classy Series C-PLUS-9SR electronic drum kit played by Dave Hicks of The Eyeball Kicks.

7. XM: You can download WAVE files of any sound you like, and download more drum sounds online via the special XM driver file for samples. What could you see yourself doing with this function?

Dave Hicks: I’d download sounds that last for a bar or two, and then play along with it as it runs. Really, I’d like to be able to play along to looped beats.

8. XM: Each drum has 3 triggered sounds: Hoop, drumhead and rimshot. Many Edrums on the market only have 1. You can program each trigger individually. What could you do with this?

Dave Hicks: I’d totally freak it out! I’d do some crazy stuff with it. For example, I could create a send and return loop from trigger to trigger, which would be great for reggae music, as well as innovative songs.

9. XM: Each cymbal has 4 triggered sounds: bell, surface, edge and choke. You can program them individually. What could you do with them?

Dave Hicks: I’d create a basic drum machine on a single cymbal; I’d put actual drum sounds on the cymbal! I like to think outside of the box; I’d use it in a way that isn’t necessarily what it was created for. Traditionally, you could also turn one cymbal parameter right up, and turn the others down, E.G for a song that you only need a choke on. This could simplify your playing.

10. XM: The skin is like a real drum, but it lasts for up to 3 years. Do you feel like you can play heavily on it?

Dave Hicks: Yeah. The true test though is a live gig with a band. Give it a real bashing. It handled hard hits well. I’m amazed this meshhead skin lasts 4 or 5 times longer than a real drum skin. Great!

11. XM: You can plug your MP3 player into the module via a CD-input (phone-in, phone-out jacks). Would you use this function to play along to your favourite songs? No laptop is needed.

Dave Hicks: I’d use this function to write new beats to recorded guitar tracks etc. You could record what you play as you go via MIDI output. Then I’d send the beats straight back to the guitarist. You could move to London, but keep the band together! I’m joking…

12. XM: How do the drums actually feel?

Dave Hicks: They’re bouncy, fast and responsive – very intuitive. For me though, I’d like to be able to have floor toms that feel flat, slow and dead. Can XM also create a mesh that feels soft and unresponsive?

13. XM: What do you think of the hi-hats? It is very difficult to emulate real metal cymbals. The XM hi-hats offer Surface, Bell and Choke functions, as well as 4 adjustable positions. You can even do Foot splashes.

Dave Hicks:  Personally, they seemed too soft for hi-hats. They didn’t feel dynamic enough. It’s the hardware, not the software that could be better, and this goes for all brands of Edrum kits. They’re all typically rubber. I’d like something harder and more bouncy. As far as these functions go, the more options the better, so it’s good to see XM attempting to be like real hi-hats. The software is like a real hi-hat. A hi-hat is the most versatile part of the drum kit. We use it for timing, use it with every beat, and hit it the quickest – it’s a very important piece. It really needs to feel right. I don’t use foot splashes like funk and jazz drummers. This entire kit would be great for progressive jazz drummers.

By Jesse S. Somer, XM eDrum

(Continued in Part 2)